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It all has to be certified as a lifesaving device. That helmet didn’t exist, the air tanks didn’t exist. The costume that he’s wearing - all of that stuff is designed so that you can see that Tom is doing all of the stunt work. “Probably the most technically difficult one we’ve ever done. The sequence stitched together three shots, combining jumps from 18,000 to 25,000 feet, for the appearance of a continuous take. Cavill’s stunt double and a sky-diving videographer jump out a plane over the United Arab Emirates, standing in for Paris. His movements had to be coordinated with Tom, and then of course, the real danger in the sequence was a mid-air impact in which everyone could have collided - Tom, the camera operator, and the actor.” “Walker!” They’re actually doing a dance, so that we can maintain all of the storytelling without ever cutting, and so you’ll notice that the other actor is falling in the background there. It’s very difficult to maintain focus, and we had exactly three minutes of light everyday to gather these shots, and if you didn’t get the shot, it meant you came back the next day.” “What’s the matter, Hunt, afraid of a little lightning?” “The decision here to have all of the sound drop out was a practical decision to maintain that subjective reality, put you in Tom’s experience, and Tom is now coordinating all of his movements with Craig O’Brien. Which means Tom has to stop himself, and he has a three inch margin of error because of the light at that time of day. So Craig O’Brien, our camera operator, is jumping backwards out of the plane, and Tom has to come towards him and come within three feet of the camera to remain in focus. Just prior to this clip starting, he’d had a conflict with Henry Cavill, and Henry Cavill has disconnected his air hose as a way of getting Ethan Hunt out of his way, so he can jump out of the plane. So of course, this shot right here, once this starts, we were determined to have no cuts from this moment until Tom reaches the ground. And that means that everything that Tom does, as he’s jumping out of his plane, the camera operator has to do with him in reverse. When Tom and I discussed this idea, right away the challenge became making it the most subjective sequence we possibly could, putting the audience with the character of Ethan Hunt. I am the writer, director, and co-producer of ‘Mission: Impossible - Fallout.’ The biggest challenge of this sequence is constantly maintaining a connection with Tom Cruise, knowing that Tom Cruise is going to jump out of a plane at 25,000 feet, and that the camera is going to stay with him. Transcript Anatomy of a Scene | ‘Mission: Impossible - Fallout’ The director Christopher McQuarrie narrates a scene where Tom Cruise leaps from an airplane at 25,000 feet. Having been separated from his co-star Henry Cavill, Mr. It took a really severe physical toll on him.” 4.
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By the time that sequence was over, Tom was so physically and mentally exhausted, he had nitrogen in his blood, he was achy all over, he was very punchy, it was hard for him to focus and remember lines.
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“He learned how to hold his breath for six and a half minutes. Cruise and his co-star Rebecca Ferguson “trained with an extreme diver,” Mr. Which meant that for Tom to be able to hold his breath for anywhere from a minute to two and a half minutes that each take required, he had to learn how to hold his breath for longer,” because he would be swimming. The minute you start exerting yourself, you consume oxygen at a much higher rate. “You and I can hold our breath for a minute, maybe two minutes.
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“It put a huge burden on Tom because Tom had to hold his breath longer,” the director said.
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McQuarrie figured that his best use of the time would be to film it in a series of continuous takes.
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Given just 10 days to shoot this sequence, Mr.